I’ve always found that novelists from Scandinavian and Asian countries to be first class story tellers in the Thriller genre. I don’t know what it is but their books, as well as the movies just give me the chills.
The Good Son definitely fit the bill as well. Written by a Korean author, this book tells the story of a man who woke up bloodied but somehow relatively unharmed. Upon further examination, he finds scratches and bite marks on his arm. And as he moves about his house, he finds his mother in her bedroom — in a bloodbath with a deep slash across her neck. He realizes too soon, and with uncanny calmness that he may have had a hand in her death.
The story pieces together in a series of flashbacks while he tries to figure out the next step: turn himself in? Bury his mother? Or dispose of her body then leave the country altogether. But the more time he spends trying to decide his next move, the more bodies fall.
The terrifying thing about the story is the undetached way he spoke of the deaths. Because, yes, soon enough, the readers will realize that our character gets a thrill out of killing people. Especially the process of how he stalks his prey then calmly watch them bleed. As if he’s roasting marshmallows or something.
We also learn that he’s always been deranged even as a child. The first time he saw his dad used an antique razor while shaving, he asked with cold-blooded intensity if he could have his blade when he dies. Which was the reason why his mother hid it from him over the years. But he found it anyway. It was especially chilling to find out that he had a part in the deaths of his father and brother.
The Good Son challenges the basic idea of nurture vs. nature. And while in most cases, someone can be nurtured into someone not homicidal, this is an exception where nature definitely wins over nurture.